Family dysfunction works good enough in "Four Christmases

Silly and frivolous though it may be, "Four Christmases" is, nevertheless, a movie that speaks loudly about the time and place in which it was created. Intentional or not - and, with a movie this unabashedly and straightforwardly fun, it's probably not - it's a film that bears witness to the crisis facing the very institution of family, a movie that surveys a culture in which disunity is becoming more commonplace than familial bonds, in which shallow attraction and infidelity are more popular than real love or commitment. It's not a great work of art - not even close - and it's not a pointed piece of social commentary, but it's a telling and revealing movie just the same.Its very premise is based in the prevalence of broken families in our society. Vince Vaughn and Reese Witherspoon star as Brad and Kate, an unmarried couple so stubbornly intent on avoiding their fractured, feuding families that, every Christmas, they stage a fake humanitarian crusade to some distant third world country and then hop a plane to the beach, enjoying fun in the sun and forgetting their families altogether. Or at least that's their habit, until one fateful year when bad weather grounds every plane in the city, their families find out about it, and the two are forced to spend Christmas Day visiting each of their four families -his dad, her mom, his mom, her dad.

The movie is funny and cute, but its very story mandates that divorce and broken heartedness are always lurking somewhere around the edges. And, much to his credit, director Seth Gordon, in his first mainstream film (he also directed the arcade documentary "The King of Kong," a minor hit on the indie circuit), shows a keen understanding that even comedy comes with responsibility, and he strikes a fairly impressive balance, using the awkward, pointed humor to draw our attention to the seriousness and sadness of the situation without making the movie unpleasant, overbearing, or misanthropic. It feels, at times, not unlike a good episode of "The Office:" We squirm a bit at how uncomfortable it is, like when Kate's sister reveals embarrassing secrets about Kate's childhood obesity and social gawkiness, or when we find that Brad's mom has married a man who is literally the same age as her own child. But it's a good kind of squirming, because it reminds us that there's serious darkness and dysfunction, both here and in the real world, that needs dealing with. And it does so - crucially -without losing sight of the fact that this is really just a big, mainstream, crowd-pleasing bit of silliness.

And it is silly, not to mention a lot of fun. Vaughn does what he does best: dry and deadpan as always, but perhaps the real MVP here is Witherspoon. If the Best Actress winner is trying to prove that she can handle frivolous comedy just as well as she handles Oscar-bait drama, she succeeds marvelously, more than holding her own with Vaughn and coming across as funny, cute, and smart. She makes a strong case for allowing women into the Frat Pack - one imagines that she could easily steal the show even from someone like Will Ferrell. There's also a big cast of supporting actors, all of whom are fine, if not necessarily brilliant; Robert Duvall is mostly wasted but scores a few good lines as Brad's dad. Sissy Spacek is just sort of weird and creepy as his mom, and Mary Steenburgen continues her inexplicable streak of silly mainstream comedies, following "Step Brothers" from earlier this year. Meanwhile, Dwight Yoakam is nearly unrecognizable as a balding country pastor and Kate's would-be step dad, and Jon Voight does well enough as Kate's real dad with what is basically just one brief monologue.

It's a well-done movie even beyond the casting, very funny and often surprising. Its plot, clearly divided into four parts, could easily have felt like four separate skits, stitched together into one big movie, but, thankfully, it never sinks to that, as the character development of Brad and Kate holds it all together. Indeed, though the movie is ostensibly about the relationship between this couple and their families, the heart of it is really about them-about an initial aversion to responsibility, but a growing desire in Kate to have a commitment (i.e., marriage) and a family, in spite of her own bad family experiences.

This article originally appeared at ChristianityTodayMovies.com. Copyright Christianity Today International. All rights reserved. Used by permission.